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| c. 1450 |
| | Piero della Francesca paints masterpieces in his small home town of San Sepolcro | |
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| c. 1450 |
| | Paolo Uccello is interested in the laws of perspective, in works such as The Battle of San Romano | |
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| c. 1460 |
| | Oil paints, long familiar in the Netherlands, begin to be adopted in Italy in place of tempera | |
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| c. 1460 |
| | Andrea Mantegna combines an interest in classical detail and recently discovered perspective | |
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| c. 1465 |
| | The Sicilian artist Antonello da Messina adopts the Flemish technique of painting in oils | |
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| c. 1470 |
| | Sandro Botticelli is established as one of the leading painters of Florence, working in particular for the Medici | |
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| 1472 |
| | Leonardo da Vinci joins the painters' guild in Florence, probably after training with Verrocchio | |
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| c. 1475 |
| | Giovanni Bellini becomes the key figure in the development of the Renaissance style in Venice | |
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| c. 1480 |
| | Botticelli paints the Birth of Venus and Spring for the villa of a Medici cousin of Lorenzo the Magnificent | |
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| c. 1489 |
| | Leonardo da Vinci begins an unprecedented series of detailed anatomical drawings, based on corpses dissected in Rome | |
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